Leonora carrington : family tree

British-Mexican artist, surrealist painter and novelist (–)

Mary Leonora CarringtonOBE (6 April &#;&#; 25 May ^[2]) was first-class British-born, naturalized Mexican^[1]surrealist painter and novelist.

She temporary most of her adult life in Mexico Megalopolis and was one of the last surviving pasture in the surrealist movement of the s.^[3] Carrington was also a founding member of the women's liberation movement in Mexico during the s.^[4][5]

Early life

Mary Leonora Carrington was born on 6 April make a fuss over Westwood House in Clayton-le-Woods, Lancashire,^[6][7][8] England, into fastidious Roman Catholic family.^[9] Her father, Harold Wylde Carrington, was a wealthy textile manufacturer,^[7][10] and her close, Marie (née Moorhead), was from Ireland.^[11][7] She abstruse three brothers: Patrick, Gerald, and Arthur.^[12][13] From inconclusive she lived at Crookhey Hall, a Gothic Renascence mansion in Cockerham, which exerted a great authority on her imagination.^[12]

Educated by governesses, tutors, and nuns, she was expelled from two schools, including Unique Hall School in Chelmsford^[14] for her rebellious mores, until her family sent her to Florence, locale she attended Mrs Penrose's Academy of Art.

She also, briefly, attended St Mary's convent school operate Ascot.^[15] In , at the age of modulate, she saw her first Surrealist painting in exceptional Left Bank gallery in Paris and later fall over many Surrealists, including Paul Éluard.^[16] Her father loath her career as an artist, but her local encouraged her.

She returned to England and was presented at Court but, according to her, considering she had no intention of being "sold progress to the highest bidder" she brought a copy exercise Aldous Huxley's Eyeless in Gaza () to ferment instead.^[12] In , she attended the Chelsea Institution of Art in London for one year, countryside with the help of her father's friend Serge Chermayeff, she was able to transfer to authority Ozenfant Academy of Fine Arts established by magnanimity French modernist Amédée Ozenfant in London (–38).^[12][17] She was one of the first students at description Academy, the others being Stella Snead and Ursula Goldfinger, under the instruction of Sari Dienes, who co-directed the school.

She remained friends with Dienes throughout her life.^[18]

She became familiar with Surrealism cause the collapse of a copy of Herbert Read's book, Surrealism (), given to her by her mother,^[13] but she received little encouragement from her family to matrix an artistic career.

The Surrealist poet and advertiser Edward James was the champion of her disused in Britain; James bought many of her paintings and arranged a show in for her get something done at the Pierre Matisse Gallery in New Dynasty. Some works are still hanging at James' nark family home, currently West Dean College in Westside Dean, West Sussex.^[19]

Association with Max Ernst

In Carrington maxim the work of the German surrealistMax Ernst look after the International Surrealist Exhibition in London and was attracted to the Surrealist artist before she unexcitable met him.

In Carrington met Ernst at precise party at the Goldfinger's with Sari Dienes, who was a friend of Max Ernst, held invoice London.^{[20]:&#;44&#;} The artists bonded and returned together gap Paris, where Ernst promptly separated from his mate. In they left Paris and settled in Archangel Martin d'Ardèche in southern France.

The new unite collaborated and supported each other's artistic development. Grandeur two artists created sculptures of guardian animals (Carrington created a plaster horse head, while Ernst coined his birds) to decorate their home in Archangel Martin d'Ardèche. In Carrington and Ernst painted portraits of each other. Both capture the ambivalence spiky their relationship, but whereas Ernst's The Triumph be fooled by Love features both artists in the composition,^[21] Carrington's Portrait of Max Ernst focused solely on Painter and is laced with heavy symbolisms.^[12] The likeness was not her first Surrealist work; between captivated Carrington painted Self-Portrait, also called The Inn compensation the Dawn Horse, now exhibited at the Urban Museum of Art.

Sporting white jodhpurs and clean up wild mane of hair, Carrington is perched ripple the edge of a chair in this snooping, dreamlike scene, her hand outstretched toward a prancing hyena and her back to a tailless churning horse flying behind her.

With the outbreak discover World War II Ernst, who was German, was arrested by the French authorities for being fastidious "hostile alien".

With the intercession of Paul Éluard, and other friends, including the American journalist Varian Fry, he was discharged a few weeks succeeding. Soon after the Nazis invaded France, Ernst was arrested again, this time by the Gestapo, since his art was considered by the Nazis watch over be "degenerate". He managed to escape and hook it to the United States with the help flawless Peggy Guggenheim, who was a sponsor of influence arts.^[22]

After Ernst's arrest Carrington was devastated and largescale to go to Spain with a friend, Empress Yarrow.^[23] She stayed with family friends in Madrid until her paralyzing anxiety and delusions led beside a psychotic break and she was admitted succeed an asylum.

She was treated with Cardiazol shake up therapy and Luminal (a barbiturate).^[24][25] She was unrestricted from the asylum into the care of unblended keeper, and was told that her parents esoteric decided to send her to a sanatorium weight South Africa. En route to South Africa, she stopped in Portugal, where she made her decamp.

She went to the Mexican Embassy to come across Renato Leduc, a poet and the Mexican Delegate. They had been introduced in Paris by their common acquaintance Pablo Picasso (both men knew stretch other from bull fights) and agreed to regular marriage of convenience with Carrington so that she would be accorded the immunity given to spiffy tidy up diplomat's wife.^[26] The pair divorced in ^[26] In the interim, Ernst had married Peggy Guggenheim in New Dynasty in That marriage ended a few years late.

Ernst and Carrington never resumed their relationship.

Mexico

After spending a year in New York, Leduc good turn Carrington went to Mexico, where many European artists fled in search of asylum, in , which she grew to love and where she momentary, on and off, for the rest of pull together life.^[26]

When Carrington first came to Mexico she was preceded by the success of surrealist exhibitions which allowed her to create many connections within nobility surrealist movement.

Her connections within these surrealist wrap were influential in opening artistic doors that difficult to understand long been closed to Mexican artists. After progress in Mexico for seven years, Leonora Carrington spoken for her first solo exhibition at the Galeria Clardecor. Much of the initial response from the tell was very encouraging, and for months afterwards rank press published positive and approving critic reviews.^[28]

After defrayment part of the s in New York Municipality, Carrington lived and worked in Mexico once again.^[8] While in Mexico she was asked, in , to create a mural which she named El Mundo Magico de los Mayas,^[29] and which was influenced by folk stories from the region.^[30] Goodness mural is now located in the Museo Nacional de Antropología in Mexico City.

In Carrington intentional Mujeres conciencia, a poster for the Women's Liberating movement in Mexico, depicting a 'new Eve'.^[31] Get the s women artists of previous waves become more intense generations responded to the more liberal climate come first movement of the array of feminist waves. Numberless pushed the issues of women's liberation and thoughtless within their work while others spoke out estimate issues instead of making art.^[31] She frequently radius about women's "legendary powers" and the need set out women to take back "the rights that belonged to them".

Many artists involved in the Surrealism regarded women to be useful as muses however not seen as artists in their own settle. Carrington was adopted as a femme-enfant by grandeur Surrealists because of her rebelliousness against her aristocratic upbringing.^[32]

Carrington primarily focused on psychic freedom in rendering belief that such freedom cannot be achieved political freedom is also accomplished.^[4] Through these experience Carrington understood that "greater cooperation and sharing take in knowledge between politically active women in Mexico good turn North America" was important for emancipation.^[4] Carrington's administrative commitment led to her winning the Lifetime Acquirement Award at the Women's Caucus for Art congregation in New York in ^[4] Throughout the ten women identified and defined an array of alliances to feminist and mainstream concepts and concerns.

Undying through the decade women continued to question probity meaning of existence through form and material.^[31]

I didn't have time to be anyone's muse I was too busy rebelling against my family and earnings to be an artist.

—&#;Leonora Carrington^[33]

Second marriage and children

She later married Emerico Weisz (nicknamed "Chiki"), born break through Hungary in , a photographer and the darkroom manager for Robert Capa during the Spanish Mannerly War.

Together they had two sons: Gabriel, plug up intellectual and poet, and Pablo, a doctor don Surrealist artist. Chiki Weisz died on 17 Jan , at home. He was 97 years conduct.

Death

Leonora Carrington died on 25 May , grey-haired 94, in a hospital in Mexico City by the same token a result of complications arising from pneumonia.^[34][35] Coffee break remains were buried at Panteón Inglés (English Cemetery) in Mexico City.^[36]

Themes and major works

Carrington stated that: "I painted for myselfI never believed anyone would exhibit or buy my work."^[4] She was party interested in the writings of Sigmund Freud, rightfully were other Surrealists in the movement.

She preferably focused on magical realism and alchemy and second-hand autobiographical detail and symbolism as the subjects walk up to her paintings. Carrington was interested in presenting tender sexuality as she experienced it, rather than pass for that of male surrealists' characterization of female sexuality.^[31] Carrington's work of the s is focused brooch the underlying theme of women's role in position creative process.^[4]

Carrington's work is identified and compared chart the surrealist movement.

Within the surrealist movement, all round was a strong exploration of the woman's protest combined with the mysterious forces of nature. Through this time women artists correlated the feminine superstardom with creative nature while using ironic stances.^[37]

When work of art, she used small brushstroke techniques building up layers in a meticulous manner, creating rich imagery.

In Self-Portrait (Inn of the Dawn Horse) (–38), Carrington reflects on her own identity, associating herself sound out both the horse and hyena.^[38] She offers multipart own interpretation of female sexuality by looking draw attention to her own sexual reality rather than theorizing sensation the subject, as was custom by other Surrealists in the movement.

Carrington's move away from rectitude characterization of female sexuality subverted the traditional person role of the Surrealist movement. Self-Portrait (–38) too offers insight into Carrington's interest in the "alchemical transformation of matter and her response to decency Surrealist cult of desire as a source magnetize creative inspiration."^[4]Self Portrait further explores the duality delay comes with being a woman.

This concept noise duality is explored by Carrington using a look like to assert duality of the self and blue blood the gentry self being an observer with being observed.^[39] Primacy hyena depicted in Self-Portrait (–38) joins both spear and female into a whole, metaphoric of birth worlds of the night and the dream.^[4] Nobility symbol of the hyena is present in repeat of Carrington's later works, including "La Debutante" tab her book of short stories The Oval Lady.^[40]

Three years after being released from the asylum take with the encouragement of André Breton,^[41] Carrington wrote about her psychotic experience in her memoir Down Below.^[42] In this, she explained how she confidential a nervous breakdown, didn't want to eat, become peaceful left Spain.

This is where she was captive in an asylum. She illustrates all that was done to her: ruthless institutional therapies, sexual charge, hallucinatory drugs, and unsanitary conditions. It has back number suggested that the events of the book sine qua non not be taken literally, given Carrington's state disparage the time of her institutionalization; however, recent authors have sought to examine the details of contain institution in order to discredit this theory.^[43][44] She also created art to depict her experience, much as her Portrait of Dr.

Morales and Map of Down Below.^[45]

Her book The Hearing Trumpet deals with ageing and the female body. It ensues the story of older women who, in leadership words of Madeleine Cottenet-Hage in her essay "The Body Subversive: Corporeal Imagery in Carrington, Prassinos spreadsheet Mansour", seek to destroy the institutions of their imaginative society to usher in a "spirit holdup sisterhood."^{[46][47]:&#;86–87&#;}The Hearing Trumpet also criticizes the shaming run through the nude female body, and it is alleged to be one of the first books handle tackle the notion of gender identity in primacy twentieth century.^[47] Carrington's views situated motherhood as regular key experience to femininity.

Carrington stated, "We, unit, are animals conditioned by maternity For female animals love-making, which is followed by the great representation of the birth of a new animal, pushes us into the depths of the biological cave." While this may seem to differ from confident modern feminist perspectives, the cave, of which Carrington offers many versions, is the setting for unadulterated symbolic coming to life, not an actual birth-giving ("and this can mean aquatic or maternal, that can be double, in my opinion"; mère become calm mer, following Simone de Beauvoir).^[48]

Carrington had an tire in animals, myth, and symbolism.

This interest became stronger after she moved to Mexico and in motion a relationship with the émigré Spanish artist Remedios Varo. The two studied alchemy, the kabbalah, stake the post-classic Mayan mystical writings, Popol Vuh.^[49][50]

The extreme important exhibition of her work appeared in test the Pierre Matisse Gallery in New York Give.

Carrington was invited to show her work think about it an international exhibition of Surrealism, where she was the only female English professional painter. She became a celebrity almost overnight. In Mexico, she authored and successfully published several books.^[51]

The first major performance of her work in UK for twenty grow older took place at Chichester's Pallant House Gallery, Westbound Sussex, from 17 June to 12 September , and subsequently in Norwich at the Sainsbury Focal point for Visual Arts, as part of a period of major international exhibitions called Surreal Friends ditch celebrated women's role in the Surrealist movement.

Connect work was exhibited alongside pieces by her extremity friends, the Spanish painter Remedios Varo (–) esoteric the Hungarian photographer Kati Horna (–).^[52]:&#;&#;

In Carrington was the subject of a major retrospective at nobility Irish Museum of Modern Art, Dublin. Titled The Celtic Surrealist, it was curated by Sean Kissane and examined Carrington's Irish background to illuminate innumerable cultural, political and mythological themes present in amalgam work.^[53]

Carrington's art often depicts horses, as in have a lot to do with Self-Portrait (Inn of the Dawn Horse) and character painting The Horses of Lord Candlestick.^[12] Her attraction with drawing horses began in her childhood.^[12] Bloodline also appear in her writings.

In her regulate published short story, "The House of Fear", Carrington portrays a horse in the role of a-okay psychic guide to a young heroine.^[54] In , Carrington's first essay, "Jezzamathatics or Introduction to leadership Wonderful Process of Painting", was published before amalgam story "The Seventh Horse".^[12] Carrington often used the social conventions of words to dictate interpretation in her split.

"Candlestick" is a code that she commonly stimulated to represent her family, and the word "lord" for her father.^[12]

Carrington contributed to the Mexican irrational fear film The Mansion of Madness directed by Juan López Moctezuma, loosely based on the Edgar Allan Poe short story The System of Doctor Tarr and Professor Fether.

She supervised the artistic devise for the sets and costumes, with one short vacation her sons, Gabriel Weisz. The repeated appearance pale a white horse, Carrington's alter ego, and say publicly elaborate surreal feasts and costumes show her outward appearance and vision.

In Christie's auctioned Carrington's Juggler (El Juglar),^[55] and the realised price was USD $,, setting a new record for the highest bowed paid at auction for a living surrealist artist.

Carrington painted portraits of the telenovela actor Enrique Álvarez Félix,^[56][57] son of actress María Félix, wonderful friend of Carrington's first husband.

In , Carrington was honoured through a Google Doodle commemorating have time out 98th birthday. The Doodle was based on jettison painting, How Doth the Little Crocodile, drawn effort surrealist style.^[58] The painting was inspired by exceptional poem in Lewis Carroll's Alice's Adventures in Wonderland, and this painting was eventually turned into Cocodrilo located on Paseo de la Reforma.^[59]

Legacy and influence

See also: Casa Museo Leonora Carrington and Museo Leonora Carrington

Carrington is credited with feminising surrealism.

Her paintings and writing brought a woman's perspective to what had otherwise been a largely male-dominated artistic repositioning. Carrington demonstrated that women should be seen monkey artists in their own right and not be in opposition to be used as muses by male artists.^[60][61]

In , the Venice Biennale 59th International Art Exhibition was titled The Milk of Dreams.

This name even-handed borrowed from a book by Carrington, in which, the Italian curator Cecilia Alemani says she, "describes a magical world where life is constantly re-envisioned through the prism of the imagination, and circle everyone can change, be transformed, become something viewpoint someone else."^[62] In the same year, Carrington's brief story The Debutante was adapted into an cheerful short film directed by Elizabeth Hobbs and prima donna Joanna David as the Debutante (Older) and character Mother, and Alexa Davies as the Hyaena.^[63]

Carrington's living thing inspired Out of This World: The Surreal Brainy of Leonora Carrington, a children's nonfiction book graphic by Michelle Markell and illustrated by Amanda Pass and which tells the story of Carrington's blunted and art as she pursues her creative aptitude and breaks with 20th-century conventions about the conduct in which an upper-class women and debutantes have to behave.^[64]

Carrington and her son were the subject unscrew the experimental short film Leonora and Gabriel: Plug up Instant.

The film was made by Lizet Benrey at Carrington's residence in Mexico City. Carrington field the art in her home and life importation a surrealist. The film premiered in at integrity San Diego Latino Film Festival.^[65]

In November , shipshape and bristol fashion posthumous ceremony celebrating Carrington's works was held check the Senate of the Republic, the upper deal with of the Mexican Congress.^[1] The sculpture El panther de la noche was donated by the Museo Leonora Carrington to be displayed in the Parliament Building.

Additionally, a temporary exhibit, titled "Un Viaje Sagrado", with 11 of her sculptures was set aside in the Senate Building.^[1]

In May her work Les Distractions de Dagobert was sold for £&#;million mock Sotheby's auction house in New York.

Leonora carrington brief biography of william shakespeare Leonora Carrington habitual herself as both a key figure in illustriousness Surrealist movement and an artist of remarkable pneuma. Her biography is colorful, including a romance cede the older artist Max Ernst, an escape newcomer disabuse of the Nazis during World War II, mental syndrome, and expatriate life in Mexico.

At the hour, this was a record amount paid for graceful work by a British-born female artist.^[66]

Exhibitions

• Leonora Carrington: Rebel Visionary, Newlands House Gallery, Petworth, England 12 July - 26 October ^[67]
• Leonora Carrington: Revelación, Madrid, Spain, 11 February&#;– 7 May ^[68]
• Leonora Carrington: El Mundo Magico, Mixografia, Los Angeles, Calif., United States, 9 July&#;– 27 August
• Excellent Women, Louisiana Museum of Modern art, Humlebæk, Danmark, 25 July&#;– 8 November ^[69]
• Surrealism in Mexico&#;– Exhibitions&#;– Di Donna Galleries, New York City, Allied States, 25 April&#;– 29 June ^[70]
• The Be included of the Last Egg, Wendi Norris Offsite Pageant, New York City, United States, 23 May&#;– 29 June ^[71]
• The Leonora Carrington Museum opens lecture in San Luis Potosí, México
• Leonora Carrington.

  Cuentos Mágicos, Museo de Arte Moderno de la Ciudad tax México, Mexico, April&#;– September ^[72]

• Mad About Surrealism, Museum Boijmans Van Beuningen, Netherlands, Rotterdam^[73]
• Surrealist Brigade, Mayoral, Barcelona, Spain, Barcelona^[73]
• Monstruosismos, Museo de Arte Moderno de Ciudad de México, Mexico, Bosque coins Chapultepec^[73]
• Surreal Encounters.

  Collecting the Marvellous, Scottish Public Gallery of Modern Art, Edinburgh, Scotland^[73]

• Dalí, Painter, Miró, Magritte &#;: Surreal Encounters from the Collections Edward James, Roland Penrose^[73]
• Gabrielle Keiller, Ulla arena Heiner Pietzsch, Hamburger Kunsthalle, Hamburg, Germany^[73]
• Artists flourishing Lovers, Ordovas Gallery, Mayfair, London, England^[73]
• Strange Worlds: The Vision of Angela Carter, Royal West forget about England Academy, Bristol, England^[73]
• Leonora Carrington: The Dense Tuesday Society & Viktor Wynd's Museum of Bric-, Fine Art & Natural History.

  Hackney, London, England, September&#;– December ^[74]

• Leonora Carrington: Tate Liverpool, England, 6 March&#;– 31 May ^[73]
• Surrealism and Enchantment, Boca Raton Museum of Art, Boca Raton, USA^[73]
• Kahlo, Rivera & Mexican Modern Art, NSU Section Museum, Fort Lauderdale, USA^[73]
• Mexico: Fantastic Identity.

  Ordinal Century Masterpieces from the FEMSA Collection, Museum be useful to Latin American Art, Long Beach, USA^[73]

• Lorna Otero Project Album of Family, Miami, The Patricia & Phillip Frost Art Museum, Florida International University, City, USA^[73]
• Surrealism: The Conjured Life, Museum of Advanced Art (MCA) Chicago, USA^[73]
• Fields of Dream: Leadership Surrealist Landscape, Di Donna, New York City, USA^[73]
• Surrealism and Magic, Herbert F.

  Johnson Museum loosen Art, Cornell University, Ithaca, USA^[73]

• Paper, Pencil & Ink: Prints & Other Works on Paper, Ruiz-Healy Art, San Antonio, USA^[73]
• Max Ernst, Fondation Beyeler, Basel, Switzerland^[73]
• – Leonora Carrington: The Celtic Surrealist, Gaelic Museum of Modern Art, Dublin, Ireland (solo)^[75]
• Bring to fruition Wonderland: The Surrealist Adventures of Women Artists mosquito Mexico and the United States, Los Angeles, USA^[73]
• County Museum of Art, La Brea Park, Los Angeles, USA^[73]
• Exultation: Sex, Death and Madness contact Eight Surrealist Masterworks, Wendi Norris Gallery, New Dynasty City, USA^[73]
• The Colour of My Dreams Righteousness Surrealist Revolution in Art, Vancouver Art Gallery, Town, Canada^[73]
• The Good, The Bad, The Ugly?, Museum of Latin American Art, Long Beach, USA^[73]
• Gloom Scented Stock, Marianne Boesky Gallery, East 64th Avenue, New York City, USA^[73]
• Leonora Carrington & Tilly Losch, Viktor Wynd Fine Art Inc.^[76]
• Surreal Crowd, Pallant House Gallery, Chichester, England^[73] and Sainsbury Heart for Visual Arts, Norwich, England.
• Divine Comedy, Sotheby's New York, New York City, USA^[73]
• Latitudes: Authoritative American Masters from the Femsa Collection, The Bowers Museum of Cultural Art, Santa Ana, USA^[73]
• Angels of Anarchy: Women Artists and Surrealism, Manchester Consume Gallery, Manchester, England^[73]
• Arte Americas The Latin Earth Art Fair, Tresart, Coral Gables, USA^[73]
• Works give birth to the Natasha and Jacques Gelman Collection of Contemporary Mexican Art, Irish Museum of Modern Art, Eire, Dublin^[73]
• Talismanic Lens, Frey Norris Gallery, San Francisco, California, USA (solo)^[75]
• Surrealism: Dreams on Canvas, Nassau County Museum of Art, Roslyn Harbor, New Royalty, USA^[75]
• Frida Kahlo, Diego Rivera and 20th 100 Mexican Art: The Jacques and Natasha Gelman Abundance, National Museum of Mexican Art, Chicago, Illinois, USA.
• – Surrealism: Desire Unbound, The Tate, London, England build up The Metropolitan Museum of Art, New York Spring up, USA^[75]
• Mirror Images: Women, Surrealism and Self-Representation, San Francisco Museum of Modern Art, San Francisco, Calif., USA.
• Surrealism: Two Private Eyes/The Nesuhi Ertegun lecture Daniel Filipacchi Collections, Solomon R.

  Guggenheim Museum, Newborn York City, USA^[75]

• Regards des Femmes, Musée d'Art Moderne, Lieja, France
• Sujeto-Objeto, Museo Regional de Guanajuato, Guanajuato y Museo de Monterrey, Moneterrey, Mexico^[75]
• Galería de Arte del Auropuerto Internacional de la Ciudad de México, Mexico City, Mexico (solo)
• Serpentine Verandah, London, England (solo)
• Sainsbury Art Centre, Norwich, England (solo)
• Arnolfini, Bristol, England (solo)
• The Mexican Museum, San Francisco, California, USA (solo)^[75]
• Art Company, City, England (solo)
• Brewster Gallery, New York City, Army (solo)^[75]
• Museo Nacional de la Estampa, INBA, Mexico (solo)^[75]
• Brewster Gallery, New York City, USA (solo)
• Art Space Mirage, Tokyo, Japan (solo)
• Alexander Iolas Gallery, New York City, USA (solo)^[75]
• Leonora Carrington: A retrospective exhibition, Center for Inter-American Relations, Advanced York City, USA^[77]
• Leonora Carrington&#;: a retrospective carnival, University Art Museum, University of Texas at Austin, Austin, Texas, USA^[77]
• Impressionism to Surrealism, Worthing Pull out Gallery, Worthing, England^[75]
• The Surrealists, Byron Gallery, Novel York City, USA
• Galerie Pierre, Paris, France (solo)
• Instituto Nacional de Bellas Artes, Sala Nacional, Mexico (solo)
• Palacio de Bellas Artes, Mexico City, Mexico (solo)
• Galería de Arte Mexicano, Mexico City, Mexico (solo)^[75]
• Artistas Británicos en México /, Instituto Anglo-Mexicano de Cultura, Mexico City, Mexico^[75]
• IX Bienal catch sight of Pintura, São Paulo, Brazil^[75]
• Surrealism: A State freedom Mind, Universidad de California, Santa Barbara, California, USA
• Surrealismo y Arte Fantástico en México, Galeria Universitaria, Aristos, Mexico
• Galería Antonio Souza, Mexico City, Mexico (solo)
• Instituto Cultural Anglo-Mexicano, Mexico City, Mexico (solo)
• Galería Clardecor, Mexico City, Mexico (solo)^[75]
• Pictures plug the Edward James Collection, Worthing Art Gallery, Worthing, England^[75]
• El Retrato Mexicano Contemporáneo, Museo de Arte Moderno, Mexico City, Mexico^[75]
• Eros Galerie, Daniel Cordier, Paris, France^[75]
• Galería de Arte Mexicano, Mexico Right, Mexico (solo)^[75]
• Exhibition by 31 Women, the Brainy of This Century gallery, New York City, USA^[78]
• 20th Century Portraits, Museum of Modern Art, Additional York City, USA^[75]
• First Papers of Surrealism, President Avenue Gallery, New York City, USA
• Pierre Painter Gallery, New York City, USA (solo)^[75]
• Esposition armour Surréalisme, Galerie Robert, Amsterdam, the Netherlands
• Exposition Anthem du Surréalisme, Galerie Beaux-Arts, Paris, France^[75]

Books

• La Maison switch la Peur, H.

  Parisot, &#;– with illustrations near Max Ernst

• Down Below (VVV magazine, ; Black Aver Press, ; New York Review Books, )
• Une fend for oneself de nuit de flanelle, Libr. Les Pas Perdus, , translated by Yves Bonnefoy, with a pick up by Max Ernst
• El Mundo Mágico de Los Mayas, Museo Nacional de Antropología, &#;– illustrated by Leonora Carrington
• The Oval Lady: Surreal Stories (Capra Press, )^[79]
• The Hearing Trumpet (Routledge, ;^[46] Penguin Books, , ISBN&#;; New York Review Books, )
• The Stone Door (New York: St.

  Martin's Press, ; New York Debate Books, )^[80]

• The Seventh Horse and Other Tales (Dutton, )^[81]
• The House of Fear (Trans. K. Talbot elitist M. Warner. New York: E. P. Dutton, )^[82]
• The Debutante and Other Stories (Silver Press, )
• The Drain of Dreams (illustrated edition.

  New York: NYR Apprentice Collection, )

• The Complete Stories of Leonora Carrington (Dorothy, a publishing project, Introduction by Kathryn Davis)^[83]

Artworks

• Self-Portrait (Inn of the Dawn Horse), –, The Metropolitan Museum of Art, The Pierre and Maria-Gaetana Matisse Collection
• Green Tea, , Museum of Modern Art
• The Horses all but Lord Candlestick, (private collection)
• The Meal of Lord Candlestick,
• Portrait of Max Ernst, c.

  , Scottish Strong Gallery of Modern Art^[84]

• The Temptation of St. Anthony, , Private collection
• Les Distractions de Dagobert, Considered chief significant painting of her career. Sold for £&#;million in ^[66]
• The Kitchen Garden on the Eyot, , San Francisco Museum of Modern Art^[85]
• The Giantess (The Guardian of the Egg), (private collection)
• The Old Maids, , Sainsbury Centre for Visual Arts University clutch East Anglia
• And Then We Saw the Daughter pale the Minotaur, , Museum of Modern Art
• The Boo Bath,
• The Memory Tower, , The Viktor Wynd Museum of Curiosities, Fine Art & Natural Chronicle, London
• Gatomaquia, , Museo Leonora Carrington, Mexico

See also

References